Tricia Helfer interview
Date of publishing: 4th July 2008
Tricia Helfer was born in Donalda, Alberta, Canada where she was raised on the family grain farm. She fell into modeling in high school when an agent discovered her in the line up of the local movie theatre and sent her to New York. While modeling, Helfer also worked as a correspondent reporter for Canada’s “Ooh La La” Fashion Television where she realized a passion for acting during an on-camera class. This prompted her move to Los Angeles in 2002 where she quickly landed the role of ‘Sarah,’ in the two-hour premiere of the Showtime series, “Jeremiah.” Helfer memorably guest starred as a model who tries to cut off her own face on the hit series “C.S.I.: Crime Scene Investigation,” and the lead role of ‘Eva’ in the independent feature “White Rush.”
Helfer started 2003 off by starring in the Scifi miniseries “Battlestar Galactica” where she played the humanoid Cylon ‘Number Six’ and also filmed the lead role of ‘Farrah Fawcett’ in the “Behind the Camera: The Unauthorized Story of Charlie’s Angels” on NBC. In 2004, Helfer reprised her role of ‘Number Six’ in the first season of “Battlestar Galactica”. The show is now on its 4th and last season. Tricia just got a role in the second season of "Burn Notice". Here is a full transcript of a press conference call with her. The main topic of this interview is about Burn Notice but she speaks also about Battlestar Galactica.
A brief excerpt:
Question: Is it difficult coming into a show that’s already become an established hit? I know with Battlestar, I think you were the face of Battlestar Galactica for several months before the series, but here with Burn Notice it’s already had a season and is very well known.
Tricia Helfer: It’s always daunting going into a show as a guest in a guest role, but with Burn Notice, I honestly can’t say how wonderful they were and how welcoming they were to me. When I first signed on, Jeffrey e-mailed me and welcomed me on, and it’s just nice knowing you’re going down to an open, warm environment, and that people are looking forward to working with you and that type of thing. I sat down with Matt Nix before I went down, and we had a good chat. He gave me a bit of a story arc at that point before they had started filming. Things are still being written, so I could get a broad overview, but no specifics really. It’s definitely easier starting in the beginning with the whole cast and crew, but stepping into a show that you can see and you can see the tone of the show, it’s easier to try and fit in, knowing how they’re going and what they’re looking for. There are pros and cons to both, but they were absolutely welcoming to me.
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