
A rare glimpse into the all-consuming madness that is Lucy Lawless on the Battlestar set.
Stargate Universe season two premieres September 28 on Syfy.
Sanctuary returns September 28 with a 20 episode third season!
CJ: "I was kind of a cut-up the first five years, and I think I was having too good a time. Brad Wright and I were always very good friends and he knew that I always wanted to go more the writer/producer route and he said to me 'why don't you get serious and write something?' anything? well, come in with a couple of pitches and we'll see what you've got.
We'd always had pitches for shows about Amazons, but they always seemed a bit like Wonder Woman type of thing, so I came up with concept of these women under one particular God who so wanted warriors that he would kill off the children until he got a boy - which lead to one of their princesses spiriting their children away and so on.
The way a normal story is written - you pitch an idea, if the writers like it, then they all sit in a room and they break the story. Break the beats, break the acts, break everything. And then you basically write the dialogue. I asked Brad - 'would you mind if I didn't do that, because I would really like a real assessment if I have a future in this or not'. And he said 'sure'.
So I actually turned it in early. Then we went on summer hiatus and I didn't hear anything from Brad or Martin Wood, who I'd also given a copy to, and also to John Smith. And nothing. So I'm just sitting there thinking 'guess I'm an actor'...
Then on the Saturday before we were to go back to work, there were three messages on my phone. And they swear they didn't talk. Brad, Martin and John each saying how much they enjoyed it, blah blah blah. Structurally, Brad definitely fixed that, but for the most part, we pretty much shot what I wrote, which I learned is not the way it always happens. As a writer, especially as a TV writer or film writer, you can't be 'married' to the work or take it personally. The whole thing, I really owe to Brad Wright. Even Rage of Angels.
We were at Martin Wood's wedding, we had gone outside for a smoke - well I was smoking - and he said, 'if this show ever ends, what are you gonna do?'. And I said 'I'd really like to star in an hour drama, not a sitcom, and have it be viable'. And he said 'you know you're going to have to write it yourself - no network is out looking for that'.
And I said 'yeah, I kinda figured that'. So the week of the 200th episode, that's when we learned we were cancelled. Four days later I had written Rage of Angels."
AT: "It’s a good question, and I think actually it will feel quite different. I mean, we still want to keep the same graphic novel feel to it. We still want to keep the same, sort of darker elements, but it won’t be as sinister in places and the back stories of all the characters will be a bit broader. Because we are able to take the first hour of webisodes and repurpose it into a two hour, so the witches story becomes a completely different episode, it gives us a lot more freedom. A lot more back story on Will. A lot more back story on Magnus, on Ashley. We don’t give as much away in the pilot. Which for those of you blessed fans who have been following us on the web, will know all the story anyway, but we’re not using as many of the flashback in our first two hours. They’ll come in later. And it’s going to be physically brighter, a little bit, for broadcast. I mean, the web, depending on what you watched it on, the compression was pretty tight, so sometimes it looked really, really dark and you just can’t have that on broadcast television, so we’re brightening it up. And I think the vis effects, as proud as I am of our team for getting stunning visual effects in twelve days, we’ll have five months so they’ll be a lot more polished."
Allianora tells Darien that the Agency is planning to kill him and asks him to switch allegiances to her secret organization.
..."Scheduling around the Wraith is always a bit more difficult only because of the prosthetics. Our actors start getting into make-up at three in the morning, we shoot until seven or eight at night, and then it takes them another hour to get out of everything. So it can get pretty tiring, especially for Rachel, who has to look after her baby, but, again, it’s almost over. These seven-day episodes go by pretty quickly. At first you wonder, ‘What’s going to be hard about this one?’ but then all of sudden it’s done and you’re like, ‘What the heck were we worried about?’ It’s a pretty polished machine around here and our crew doesn’t waver at anything you might throw at them. Whatever, it is, if you think it’s a potential problem, they’re like, ‘We’ll show you,’ which they do, and things go smoothly.”